Joenio Marques da Costa

CorTexT Platform is the digital platform of the Interdisciplinary Laboratory for Science, Innovation and Society (LISIS) held in Paris. This platform aims at empowering open research and studies in social sciences about the dynamic of science, technology, innovation and knowledge production. It covers a large variety of methodological research fields, such as scientometrics, Social Networks Analysis, Natural Language Processing and spatial analysis. Its web application gathers most of the original methods produced by the platform team members (https://www.cortext.net/members/). Twelve years after its creation, CorTexT Manager is facing a growth of its usages: in number of users, type of institutions, and locations of the users. Back in 2021, more than 1300 active users came to analyze data on it, producing more than 66 000 calculations, from a wide variety of organizations (laboratories, government agencies, firms, newspapers...) located in 60 countries across the world. In 2019, our users were coming from 39 different countries. In the meantime, scientific production published using one or more sets of methods accessible through CorTexT Manager has nearly doubled: a total of 67 scientific documents citing or mentioning CorText Manager has been identified for 2021 (https://www.cortext.net/publications/). Addressing these changes has required significant transformations of CorTexT Manager: both for its technical infrastructure as well as for how its codebase is produced and its academic visibility. This presentation will give a brief overview of what is CorTexT Manager and focus on: the importance of user documentation for scientific reproducibility, questions related to the ownership and copyright of the source code when engineers and developers are supported by multiple research organizations, and how to ensure its academic visibility.

Other people: Lionel Villard Alexandre Hannud Abdo Jean-Philippe Cointet Philippe Breucker Marc Barbier

This is a sound art performance using the live coding tool Tidal Cycles combined with visuals by the tool Le Biniou. Sounds and visuals, eventually experimental music, are going to be produced during the presentation live. (Duration: 20 min).

This workshop is going to show the first steps on how to make sounds using live coding environments, live coding environments are sound engine synthesis usually controlled by source code evaluation live. The live coding environments presented on the workshop are Tidal Cycles and SuperCollider, and also some words about the tools Jack and PipeWire. **Important:** Please bring your headphones.

This is a call to people interested on live coding (to produce sound and visuals) to meet and discuss the topic in a free way, below some initial ideas: * Share knowledge among us. Why? The tooling to setup a functional environment to produce sound and/or visuals are a little tricky, then, learn through real user cases would be great. * Where is the Debian in the relationship between the Art and Science? * Are there any opportunities to improve Debian to be a bit more user friendly to Live Coding artists?

In this talk will be presented software projects for musical creation, including software synthesizers, DAW, sound desks, mixer for DJ, drum machine, MIDI tools, Jack, audio editing, languages and programming environments for live coding, among others. All the free software projects presented are available in Debian and can be easily installed with a simple `apt install`. The talk is aimed to whom is curious about tools for sound and music in Debian, covering only it's basic features, focusing mainly on how to install and how to use these features. This talks is a tour around sound and music tools available on Debian. At the end of the talk will be reserved some time for a live coding performance using TidalCycles.